In terms of cast, it has to be said that Gary Oldman looks nothing like Herman Mankiewicz. The olde visuals seem to be the main reason to watch this film, and its this smokey, shadowy, cigarette-burnt, ’40s aesthetic that’s the film’s only positive. The fact that a film about a writer (which intermittently includes script elements) isn’t particularly well written is ironic to say the least. This is basically another love letter to Hollywood’s “great” past like Quentin Tarantino‘s similarly critically overrated shite-fest OUATIH. It's a black and white ode to a period of time that only a select few give a toss about; it’s made for film students, cinephiles, and pompous critics.
用户评论
弼马温陈金飞
2025-05-09 11:45
我是观影小魔王
2025-05-09 05:39
有所求
2025-05-09 07:03
一颗大葡萄
2025-05-09 10:28
摩羯座的猫
2025-05-09 07:18